Why Catfish & The Bottlemen Might Be The Best Band In A Long, Long Time

Go back two years with me to 2014. A strangely named band emerges from seemingly out of nowhere with a humorous album artwork. Their name: Catfish And The Bottlemen. With such a title, what would they sound like?

Their debut album The Balcony released a long 7 years after the band originally formed and caused waves among music listeners. This isn’t an article about a band who didn’t make it but deserved it, it’s an article on a band that made it and stayed there – all deservedly so.

The Balcony had so many singles I thought they had used the entire album up. Each song told a story of love in light-hearted and sometimes funny ways. Every 3-4 minutes the listener is treated upon a mini-movie that lyricist and singer Ryan “Van” McCann has created. The songs are relatable.

Their new album The Ride came out on May 27 and I had my doubts. When a band puts out an incendiary debut effort, the term “sophomore slump” was born for examples like this. At the very least, bands can almost never top it, so it’s disappointing on some level. Well, despite reservations and worries, Catfish have put out something that stands with their debut in a triumphant fashion.

The differences with this album is noticeable mostly with the lyrical content. While there are the same fun songs like “Soundcheck,” “7,” and “Oxygen,” the album features a more angsty mood that triggers a different reaction. The top and prime example of this is “Red.”

As clever as ever with his words, Van sings lines like “Does he take you the Liquid Rooms after work/Just to unwind you but then goes and makes it worse/Can he do what I do for you?/I’ve not stopped thinking this shit since I come away.” The song has an infectious chorus of anger but don’t let it discourage you from listening to it. It still has that “!!” factor that makes Catfish what they are.

The last song is one to remember as well as it’s probably the heaviest we’ve seen from them. In addition, the album closes in the same way their former did – mid beat and cuts out. I’m not sure why they do it, it can be a little frustrating because I feel like we’re missing the latter part of each closing song, but either way – The Outside proves Catfish & The Bottlemen are here to stay and will to continue to produce music that should be the soundtrack of every experience in life.

Check them out,

Zac Zinn

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